January's New and Departing Titles

A lot of great movies found their way to Prime since the beginning of January—far more than are departing, fortunately. But with the end of the month fast approaching, let's first tackle:

WHAT'S EXPIRING

Many of these, strangely, are also among the new arrivals (including the always grin-inducing Buckaroo Banzai, David Cronenberg's The Dead Zone, and the original Sabrina), but in general this relatively sparse list constitutes the usual rotating EPIX titles that used to pop on and off Netflix with semi-annual regularity (and are now doing the same over on Hulu). So if you're not sure you'll get a chance to (re)watch Apocalypse Now or Glengarry Glen Ross this month, don't worry: you'll likely see them streaming again by summer. Here's the full list of notable departures:

January 28

That Sugar Film (2015)

January 30

The Adventures of Buckaroo Banzai (1984)
Apocalypse Now (1979) - Review
Charlie Bartlett (2008)
The Dead Zone (1983)
Glengarry Glen Ross (1992)
Godzilla (1998)
Hammett (1982)
Harley Davidson and the Marlboro Man (1991)
Jennifer 8 (1992)
Kill Me Again (1989)
Kiss the Girls (1997)
Licence to Kill (1989) - Review
One from the Heart (1982) - Review
Panic (2000)
Sabrina (1954) - Review
Wild Bill (1995)

Mid-August Arrivals (Now with More Troma!)

Steve Carell in The 40-Year-Old Virgin

Some fun new titles were made available for streaming on Amazon Prime in the past week, including Judd Apatow's unrated cut of the very funny The 40-Year-Old Virgin, Clair Denis' extreme 2001 vampire flick, Trouble Every Day, Clint Eastwood's White Hunter, Black Heart (a fictionalized account of director John Huston big-game hunting while making The African Queen), and the 1946 Barbara Stanwyck-Kirk Douglas film noir, The Strange Love of Martha Ivers. Those titles alone show a nice range of the old and the new(ish) that seem to be hitting Prime with increasing regularity.

Among even newer releases are Kevin Pollak's documentary, Misery Loves Comedy (2015), exploring the psyche of comedians; A Most Violent Year, a 2014 thriller starring Jessica Chastain and Oscar Isaac, from the director of All Is Lost; the drama If I Stay (2014), starring Chloë Grace Moretz; and a pickup from Netflix, the Japanese music documentary, We Don't Care About Music Anyway (2013).

Television arrivals include The Forsyte Saga (which expired from Netflix mere days ago), the return of 2012's Masterpiece Mystery: Endeavour, which was among June's PBS casualties, and the (long-awaited?) debut of Toxic Crusaders, the 1991 animated series featuring a kid-friendly version of Troma's very own Toxie, a.k.a., The Toxic Avenger.

What's Noteworthy in August? A Lot.

Michael Douglas gets glittery

August has turned into an exceptional month for Amazon Prime. And while I don't want to keep harping on comparisons with Netflix (who's currently in my digital doghouse), the fact is, the quality of this month's new arrivals puts Netflix's spotty August list to shame. Whereas there were too few notable titles on that service to even bother listing, here on Prime it's all I can do to track everything. (Funnily enough, last month I had a similar urge to throw up my hands at Netflix—but it was over all the expiring titles.) At the same time, so many of Prime's new arrivals are exclusives, I've broken with my usual practice of labeling them PRIME ONLY and am noting instead those few exceptions that aren't exclusive.

HBO

So, where to begin? The most obvious headliners are the newly available HBO series, Aaron Sorkin's The Newsroom: Seasons 1-2, which arrived towards the end of July, and today's debut of all eight seasons of Larry David's cringingly funny Curb Your Enthusiasm. These two high-profile shows will likely get plenty of visibility on the Amazon site, so I don't need to spend much time on them here except to say what a great coup the service's HBO deal continues to be.

If further proof were needed, there was also the late-July arrival of Steven Soderbergh's Behind the Candelabra, a 2013 production meant to be the director's final theatrical film but, due to the skittishness of Hollywood's bean counters, was financed and released by HBO. Starring Michael Douglas and Matt Damon, this biopic of Liberace boasts not only a ridiculously high 95% score on Rotten Tomatoes, but a passel of industry awards including Emmys for Outstanding Movie, Actor (Douglas), and Director. In other words, a prestige production if there ever was one—TV or otherwise.

New July Titles

Where Netflix this month seemed all about shedding as many older titles as possible, Amazon looks to be doing just the opposite, adding an impressive mix of genuine classics, public domain flicks, TV shows, and a diverse blend of 1980s and '90s content. In some ways the service has one-upped its larger competitor by acquiring a number of Netflix's recent castoffs, including King Kong (1976), the original The Odd Couple (1968), and David Cronenberg's Shivers (1975).

CLASSICS

Classic (i.e., pre-1982) movies are growing into one of Prime's unsung strengths. In addition to the older titles it often shares with Netflix, the service continues to add an assortment of rarely seen potboilers like Hour of the Gun (1967), The Red House (1947), and Three Came Home (1950), along with bona fide classics such as Howard Hawks' majestic Red River (1948) and, not one, but three Marilyn Monroe pictures (Bus Stop, Niagara, and How to Marry a Millionaire). There's also the campy fun of 1966's feature-length Batman movie, plus Abbott & Costello fooling around in 1952's Jack and the Beanstalk (you know, for kids). A summary of exclusive classics wouldn't be complete without mentioning Stanley Kubrick's Dr. Strangelove (1964) and the Roger Corman biker flick, The Wild Angels (1966), starring Peter Fonda, Nancy Sinatra, and Bruce Dern.

HBO, Comedy, and...Troma Time!

If you like really bad movies with lots of trashy titles (or is that lots of trashy movies with really bad titles?), then this new batch of Amazon Prime arrivals is for you. I can't claim to be a big follower of Le Cinema du Lloyd Kaufman (a.k.a. Troma Entertainment), but I'll always appreciate his influential role in the vanishing art of low-budget exploitation cinema. How much less rich would the world be without movies like Demented Death Farm Massacre, Maniac Nurses Find Ecstasy, Blood Sisters of Lesbian Sin, and Croaked: Frog Monster from Hell?

Each of us must make peace with this question for ourselves, but if you're looking for a little something to cleanse the palate between big-budget summer gloss, then you won't do worse (or is that better?) than settling into the La-Z-Boy with a brewskie and/or barf bag and queuing up one or more of the below titles. Given the number of imported titles, along with the lack of such (cough) classics (cough) as Tromeo & Juliet, Class of Nuke 'em High, and Toxic Avenger, my guess is that many, if not all, of these were distributed by Troma as opposed to actually being produced by them. Which means they could be much better—or far, far worse—than even the usual Kaufman fare.

May's Noteworthy Arrivals

Dracula: Pages from a Virgin's Diary

Some interesting PRIME ONLY entries this month, especially for fans of cult and art films. If you like things weird, wacky, and highly original, it's tough to go wrong with anything by director Guy Maddin. He's the guy who directed 2004's hoot, The Saddest Music in the World (probably his best-known film), as well as Careful (1992) and the highly regarded ballet adaptation, Dracula: Pages from a Virgin's Diary (2003), both of which are now streaming.

Also falling into the weird category are a handful of cult horror flicks released under the Mutant Sorority Pictures label (which for some of you should be recommendation enough):

Death Laid an Egg (1968)
Demon Seed, a.k.a, Satan's Mistress, Dark Eyes, Demon Rage (1982) - not to be confused with Donald Cammel's far superior 1977 film starring Julie Christie
Jail Bait Babysitter (1977)
Satan's School for Girls (1973)