What's Noteworthy in August? A Lot.

Michael Douglas gets glittery

August has turned into an exceptional month for Amazon Prime. And while I don't want to keep harping on comparisons with Netflix (who's currently in my digital doghouse), the fact is, the quality of this month's new arrivals puts Netflix's spotty August list to shame. Whereas there were too few notable titles on that service to even bother listing, here on Prime it's all I can do to track everything. (Funnily enough, last month I had a similar urge to throw up my hands at Netflix—but it was over all the expiring titles.) At the same time, so many of Prime's new arrivals are exclusives, I've broken with my usual practice of labeling them PRIME ONLY and am noting instead those few exceptions that aren't exclusive.

HBO

So, where to begin? The most obvious headliners are the newly available HBO series, Aaron Sorkin's The Newsroom: Seasons 1-2, which arrived towards the end of July, and today's debut of all eight seasons of Larry David's cringingly funny Curb Your Enthusiasm. These two high-profile shows will likely get plenty of visibility on the Amazon site, so I don't need to spend much time on them here except to say what a great coup the service's HBO deal continues to be.

If further proof were needed, there was also the late-July arrival of Steven Soderbergh's Behind the Candelabra, a 2013 production meant to be the director's final theatrical film but, due to the skittishness of Hollywood's bean counters, was financed and released by HBO. Starring Michael Douglas and Matt Damon, this biopic of Liberace boasts not only a ridiculously high 95% score on Rotten Tomatoes, but a passel of industry awards including Emmys for Outstanding Movie, Actor (Douglas), and Director. In other words, a prestige production if there ever was one—TV or otherwise.

Pasolini, Chabrol, and Other Arty Newcomers

Claude Chabrol's The Bridesmaid

Through its agreements with distributors such as Film Movement, Indie Crush, Zeitgeist Films, Asian Crush, and First Run Features, Amazon has quietly pieced together a respectable catalog of foreign and indie titles on its Prime service, many of them exclusives. Yes, a lot of these may be obscure to mainstream audiences (some justifiably), but among them are plenty of unsung and forgotten jewels. (See the Foreign section of this site's Only On Prime page for a few older examples.)

This month Amazon added two Pier Paolo Pasolini films—his first feature, 1961's Accatone, along with 1967's Oedipus Rex. As the director of such controversial fare as Arabian Nights, Canterbury Tales, and Salo, Pasolini isn't for everyone. But given his importance to European cinema in the 1960s and '70s, it's nice to see these (less salacious) examples of his earlier work available to stream.

Another important European filmmaker was the incredibly prolific Claude Chabrol. As one of the French New Wave directors who came into their own in the late 1950s and early '60s (including Jean Luc Godard, Francois Truffaut, and Jacques Rivette), Chabrol first made his mark with Les Bonnes Femmes (1960). He went on to distinguish himself with a long and vital career that included a string of acclaimed thrillers, making him, in many ways, France's answer to Alfred Hitchcock. Aside from a half dozen or so Criterion titles available exclusively on Hulu, Chabrol's work is severely underrepresented in the streaming world, so it's nice to see Les Bonnes Femmes and Merci Pour Le Chocolat (2000) joined by 2004's The Bridesmaid (never to be confused with the comedy Bridesmaids!) on Prime. [Note: It's been pointed out to me that Les Bonnes Femmes is set to expire on July 31—so catch it soon.]

HBO, Comedy, and...Troma Time!

If you like really bad movies with lots of trashy titles (or is that lots of trashy movies with really bad titles?), then this new batch of Amazon Prime arrivals is for you. I can't claim to be a big follower of Le Cinema du Lloyd Kaufman (a.k.a. Troma Entertainment), but I'll always appreciate his influential role in the vanishing art of low-budget exploitation cinema. How much less rich would the world be without movies like Demented Death Farm Massacre, Maniac Nurses Find Ecstasy, Blood Sisters of Lesbian Sin, and Croaked: Frog Monster from Hell?

Each of us must make peace with this question for ourselves, but if you're looking for a little something to cleanse the palate between big-budget summer gloss, then you won't do worse (or is that better?) than settling into the La-Z-Boy with a brewskie and/or barf bag and queuing up one or more of the below titles. Given the number of imported titles, along with the lack of such (cough) classics (cough) as Tromeo & Juliet, Class of Nuke 'em High, and Toxic Avenger, my guess is that many, if not all, of these were distributed by Troma as opposed to actually being produced by them. Which means they could be much better—or far, far worse—than even the usual Kaufman fare.

Recent Arrivals, Upcoming Departures

When HBO first announced its HBO Now standalone service, the concern among many Prime subscribers was whether this meant the end of HBO's presence on Prime Instant Video. Would the contract on the service's current shows simply be allowed to run out, with no new content made available? If the additions of the last few days are any indication, you can relax: it looks like you've still got time to catch up on The Wire and The Sopranos—not to mention some other great shows that are now available, including the first seasons of Girls, Veep, and the very unlucky Dustin Hoffman-starrer, Luck.

Arrivals (HBO series)

Banshee: Season 1 (2013) (Cinemax)
Girls: Season 1 (2012)
Hung: Seasons 1-3 (2009-11)
In Treatment: Seasons 2-3 (2009-10)
John From Cincinnati: Season 1 (2007)
Luck: Season 1 (2011)


Treme: Season 4 (2013)
True Blood: Season 4 (2011)
Veep: Season 1 (2012)

Also among the new HBO titles is 2012's Game Change, with Julianne Moore kicking butt as Sarah Palin and Ed Harris as John McCain. This joins a number of other quality HBO films on Prime, many of which can be found toward the bottom of the Only On Prime page.